Fairytales are also and always about transformation of various kinds — frogs into princes, coal into gold — and if they are not excessively moralistic, there is usually a happy ending. Wilde's fairytale transformations turn on loss. Wilde had a streak of prophecy in him. The children's stories can be read as notes from the future about Wilde's fate. It is as though the little child in him was trying to warn him of the dangers his adult self would soon face. One day, a Swallow late-flying to Egypt, after an unsatisfactory dalliance with a reed "She has no conversation" , rests at the feet of the Happy Prince, who tells him of all the suffering he can see.
He asks the Swallow to take the ruby from his sword and give it to a poor family. The Swallow does so. The Prince begs him to stay and to strip him bit by bit of all his gold and jewels to distribute to others. The weather is getting colder and the Swallow knows he should fly to the sun. Winter comes. The Swallow dies at the feet of the Happy Prince, no longer sparkling with jewels and gold. The Mayor has the statue pulled down — proposing one of himself in its place. As the workmen melt down the Prince they find they cannot melt his heart.
They throw it on the rubbish heap next to the body of a swallow. I don't think anything could be closer in description than this to the rubbishing of Wilde and his genius by a society obsessed by appearances and indifferent to imagination. The soul is often described as a bird — and if Wilde is the Happy Prince, then the Swallow is his soul, that returns to him and will not leave him.
The Reed, shallow-rooted, flirtatious, blown about by every wind, is certainly Douglas.
- War and Beyond (Hastings Novels Book 11);
- Seasons Behind Windows.
- Globalisierung und Geschlecht (German Edition).
- Reward Yourself.
- Adderall and alcohol crying.
Wilde believed in the soul. He played with ideas of the separation of self and soul. This is the pivot of his chilling story The Picture of Dorian Gray , but he explored this sinister theme for the first time in his fairy story "The Fisherman and his Soul". A young man wants to be rid of his Soul so that he can marry a Mermaid. He gets a magic knife from a witch and cuts away his Soul. But his Soul returns to him once a year seeking reconciliation. The story ends in death, but not in tragedy — at least not in Wilde's worldview, where Love is the supreme value.
And it is Love that asks for the supreme sacrifice. His beloved rejects him and his rose, and the rose is thrown in the gutter, where it is broken by a cart-wheel. As Wilde says to Douglas in "De Profundis": "Having got hold of my life you didn't know what to do with it … and so you broke it. In "The Birthday of the Infanta", the haughty princess humiliates the Dwarf who loves her.
He refused to settle any money on Wilde. It was the painter Whistler, though, who was the model for the selfish Miller. Whistler was a sarcastic, self-interested friend whom Wilde ridiculed in his story "The Remarkable Rocket". As Queensberry closed in, Whistler abandoned Wilde. So humbling to see so many people I know and love — including people who came from California and the UK for this — as well as so many awesome new friends who are fans of queerness or SFFness or both.
The community organizer in me has been so anxious about there being any empty seats in the house that I did maybe a little bit TOO MUCH turnout work… and the crowd was incredible. This event was a great reminder of what a privilege it is to be part of two incredibly warm, tight-knit, supportive communities — the queer community, and the speculative fiction community.
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I had originally hoped to shout out all the incredible people who I know, but there were so many folks there who I adore and it all became such a blur that I am paralyzed by the fear of snubbing someone. None of this would have happened without Clarion. Because, karma. Or at least that you should consider it. The Facebook event is here. Speculative fiction is a fundamentally queer enterprise — an exercise in imagining radically different ways of being. Miller, and Delia Sherman. She returned to the same setting in The Privilege of the Sword and its sequel, The Fall of the Kings written with her partner, Delia Sherman , as well as a growing number of short.
She and her partner, author and educator Delia Sherman, live in New York City, with a lot of books, airplane ticket stubs, and no cats whatsoever. She lives in Iowa City. Delia Sherman has been exploring history, fairy tale, and gay themes in her fiction ever since her first novel, Through A Brazen Mirror came out in Delia enjoys teaching, knitting, living in New York City and traveling. Aliens and robots and clones and witches and empaths have all been used by LGBTQ writers and readers to gain new perspectives on issues of sexual difference, gender identity, marginalization, and oppression.
She returned to the same setting in The Privilege of the Sword and its sequel, The Fall of the Kings written with her partner, Delia Sherman , as well as a growing number of short stories. And this interview rocks. Yeah, this shit just never gets old. Science fiction from actual scientists!! William Gibson talks about his next novel, and the Neuromancer movie, and other stuff.
Simple: a great cover. Greg van Eekhout was one of our guest lecturers at Clarion , and he spoke about the challenges and importance! He talked a lot about how vital that is for readers of color, especially young people, to see themselves in the books they read. I have a soft spot for genocides. Wait, no, that sounds bad. I hate genocides!
But they fascinate me. Because they have so much to tell us about human nature and human history. The voice. The story. The main character. The story is rough and raw and every bit as ugly as any honest depiction of a genocide must be. The voice is fresh and quirky, full of improper English and peculiar cadences that bring Arn to life — a tough scared street kid, trying his best to stay alive to the end of one more day, transformed and deformed by the atrocity all around him and by the ugly things he has to do, but never losing the spark of himself that makes him such a compelling character — and is what allows him to survive.
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This book was full of ugliness, but the ugliness never overwhelmed the beauty of the writing and the strength of Arn as a character, the rebellious kid-spirit that could never be broken by the Khmer Rouge, even though they so cavalierly handed out death left and right. Arn is no angel, and he makes the point again and again that he only survived because he did some very bad things, but he also found ways to do good, and these moments of kindness and love and humanity are what carry us through the unspeakable horror.
The Afterward, in which Patricia McCormick breaks down how she came to create this book, is the perfect degree of authorial intrusion — not breaking the illusion, but making clear how much was art and how much was artifice. Always exciting news: Ken Liu has a new story coming out, in the next issue of FSF — and he published story notes about it on his blog!
Electric Velocipede has a Kickstarter project to fund the next year of its vital awesome, work, and you should go throw em some dough. From St. Bennett, is exciting because I love getting my Godzilla nerddom bested. Catherynne M. Valente has a new story out in Clarkesworld. SF Signal discusses best speculative fiction endings. Not technically science fiction, but just as awesome: human organ manufacturing inches closer to reality!!
Salon looks at what science fiction writers in thought would look like. A convention for gay video gamers!!
Publication: Wilde Stories The Year's Best Gay Speculative Fiction
Philip K. Dick experiences a robotic resurrection. Nick Mamatas mused on the most ticklish subject in SFF. I loved it. I hated it. I thought it was crap. I thought it was beautiful. These, then, will hopefully serve as a hit of what Luke Pebler calls Clarion Methadone for me and my classmates and past grads, and an incitement for folks still on the fence about whether or not to apply.
And then make a donation , because every penny helps, and because karma. You have nothing to lose but the bullshit that holds you back as a writer. I missed a TON of awesome stuff, so this really truly is not even approaching completion. So these quotes came from the following brilliant writers:.
Related Wilde Stories 2013: The Years Best Gay Speculative Fiction
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