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It provides a splendid analytic take on the potency of past economic growth, which transformed the world from the end of the nineteenth century onward. Gordon's book serves as a powerful reminder that the U. You don't need to be an economist to appreciate or understand the book. His thesis is straightforward. Powerful and impressive. Sunstein, Bloomberg View. Gordon skillfully lays out myriad information about the history and trends of productivity. One can learn a great deal. Paul Pioneer Press. He does so forcefully, so forcefully, in fact, as to wipe the smiles off the faces of most techno-optimists, myself included.
Coclanis, Charlotte Observer. Gordon skillfully lays out information about the history and trends of productivity. The Rise and Fall of American Growth is a rare example of a work with solid economics that can be understood, and enjoyed, by nearly any lay person. Mike Walden, Morganton News Herald. This year's hot economics book, The Rise and Fall of American Growth , by one of America's most distinguished macroeconomists, Robert Gordon, casts a pall on whether this is possible, arguing that the U.
Epstein, Hoover Institution's Defining Ideas. The Northwestern University professor lays out the case that the productivity miracle underlying the American way of life was largely a one-time deal. He may very well be right. His is a sober voice of concern, of caution, which needs to be heard by those in the helm in America. And a fascinating lesson for ambitious and growing countries like India. Gordon's book provides sufficient ammunition to show the colossal problems facing capitalism. Levi, Corriere della Sera. He believes that technologies like smartphones, robots, and artificial intelligence aren't going to have the kind of big impact on the economy that earlier inventions—like the internal combustion engine and electricity—did.
Lee, Vox. Gordon is to be commended for helping to stimulate a national debate on the current low level of economic productivity. Henderson, Regulation. Margo, EH. Gordon's The Rise and Fall of American Growth is a magisterial volume that will benefit any serious student of economics, demographics or history. Gordon's exhaustive research program.
What lingers in my mind, alongside these ideas, is a new, weightier sense of the past, and of what the people who lived in it ate, touched, heard, saw, and did. The grown-ups always reply that the picture depicts a hat, and so he knows to talk of "reasonable" things to them, rather than fanciful.
The narrator becomes a pilot , and, one day, his plane crashes in the Sahara , far from civilization. He has 8 days of water supply and must fix his airplane to be saved. In the middle of the desert, the narrator is unexpectedly greeted by a young boy who is nicknamed as "the little prince". The prince has golden hair, a lovable laugh, and will repeat questions until they are answered. Upon encountering the narrator, the little prince asks him to draw a sheep. The narrator first shows him his old picture of the elephant inside the snake, which, to the narrator's surprise, the prince interprets correctly.
After three failed attempts at drawing a sheep, the frustrated narrator simply draws a box crate , claiming that the sheep the prince wants is inside the box. Again, to the narrator's surprise, the prince exclaims that this was exactly the drawing he wanted.
Over the course of eight days stranded in the desert, while the narrator attempts to repair his plane, the little prince recounts the story of his life. The prince begins by describing life on his tiny home planet: in effect, a house-sized asteroid known as " B " on Earth. The asteroid's most prominent features are three minuscule volcanoes two active, and one dormant or extinct as well as a variety of plants.
The prince describes spending his earlier days cleaning the volcanoes and weeding unwanted seeds and sprigs that infest his planet's soil; in particular, pulling out baobab trees that are constantly on the verge of overrunning the surface. If the baobabs are not rooted out the moment they are recognized, it may be put off until it is too late and the tree has grown too large to remove, its roots having a catastrophic effect on the tiny planet.
The prince wants a sheep to eat the undesirable plants, but worries it will also eat plants with thorns. The prince tells of his love for a vain and silly rose that began growing on the asteroid's surface some time ago. The rose is given to pretension, exaggerating ailments to gain attention and have the prince care for her.
The prince says he nourished the rose and attended her, making a screen or glass globe to protect her from the cold wind, watering her, and keeping off the caterpillars. Although the prince fell in love with the rose, he also began to feel that she was taking advantage of him and he resolved to leave the planet to explore the rest of the universe. Upon their goodbyes, the rose is serious and apologizes that she failed to show she loved him and that they'd both been silly.
She wishes him well and turns down his desire to leave her in the glass globe, saying she will protect herself.
The prince laments that he did not understand how to love his rose while he was with her and should have listened to her kind actions, rather than her vain words. The prince has since visited six other planets , each of which was inhabited by a single, irrational, narrow-minded adult, each meant to critique an element of society. They include:. It is the geographer who tells the prince that his rose is an ephemeral being, which is not recorded, and recommends that the prince next visit the planet Earth.
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The visit to Earth begins with a deeply pessimistic appraisal of humanity. The six absurd people the prince encountered earlier comprise, according to the narrator, just about the entire adult world. On earth there were. Since the prince landed in a desert, he believed that Earth was uninhabited.
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He then met a yellow snake that claimed to have the power to return him to his home, if he ever wished to return. The prince next met a desert flower, who told him that she had only seen a handful of men in this part of the world and that they had no roots, letting the wind blow them around and living hard lives. After climbing the highest mountain he had ever seen, the prince hoped to see the whole of Earth, thus finding the people; however, he saw only the enormous, desolate landscape. When the prince called out, his echo answered him, which he interpreted as the voice of a boring person who only repeats what another says.
The prince encountered a whole row of rosebushes, becoming downcast at having once thought that his own rose was unique and that she had lied.
He began to feel that he was not a great prince at all, as his planet contained only three tiny volcanoes and a flower that he now thought of as common. He lay down on the grass and wept, until a fox came along. By being tamed, something goes from being ordinary and just like all the others, to be special and unique. There are drawbacks since the connection can lead to sadness and longing when apart. From the fox, the prince learns that his rose was indeed unique and special because she was the object of the prince's love and time; he had "tamed" her, and now she was more precious than all of the roses he had seen in the garden.
Upon their sad departing, the fox imparts a secret: important things can only be seen with the heart, not the eyes. Back in the present moment, it is the eighth day after the narrator's plane crash and the narrator and the prince are dying of thirst.
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The prince has become visibly morose and saddened over his recollections and longs to return home and see his flower. The prince finds a well, saving them. The narrator later finds the prince talking to the snake, discussing his return home and his desire to see his rose again, whom he worries has been left to fend for herself.
The prince bids an emotional farewell to the narrator and states that if it looks as though he has died, it is only because his body was too heavy to take with him to his planet. The prince warns the narrator not to watch him leave, as it will upset him. The narrator, realizing what will happen, refuses to leave the prince's side.
The prince consoles the narrator by saying that he only need look at the stars to think of the prince's lovable laughter, and that it will seem as if all the stars are laughing. The prince then walks away from the narrator and allows the snake to bite him, soundlessly falling down.
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The next morning, the narrator is unable to find the prince's body. He finally manages to repair his airplane and leave the desert. It is left up to the reader to determine if the prince returned home, or died. The story ends with a drawing of the landscape where the prince and the narrator met and where the snake took the prince's corporeal life. The narrator requests to be immediately contacted by anyone in that area encountering a small person with golden curls who refuses to answer any questions.
The story of The Little Prince is recalled in a sombre, measured tone by the pilot-narrator, in memory of his small friend, "a memorial to the prince—not just to the prince, but also to the time the prince and the narrator had together. You can't ride a flock of birds to another planet The fantasy of the Little Prince works because the logic of the story is based on the imagination of children, rather than the strict realism of adults.
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Though the story is more or less understandable, the narrator made almost no connection from when the little prince traveled between planets, he purposefully did that so that the book felt like it was told from a secretive little boy. Taking off with an open book balanced on his leg, his ground crew would fear his mission would quickly end after contacting something 'very hard'.
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